Now that South Asian classical music and dance have become established and visible in the UK, how are young musicians and dancers trained and based in the UK building their careers? Sanjeevini Dutta and Gopa Roy talked to some young artists.
14 September 2016
Odissi dancer Elena Catalano reflects on how Ananya Chatterjea’s thought and choreographic work unsettles and provokes new understandings.
14 September 2016
My Soul is Alight presented a beguiling glimpse into odissi and kathak through movements, themes, colours and emotions.
14 September 2016
The Magic Fish is Mayuri Boonham’s first work for children, and the centrepiece of this year’s Something Happening For Kids children’s festival at The Place.
14 September 2016
Natalia Hildner ‒ a dancer with the nazāka (delicacy, elegance) and adā (grace) of the Lucknow gharana of kathak and yet with a very contemporary feel ‒ performed in a double bill presented by Sama Arts Network
14 September 2016
It is an evening of two separate performances and many contrasts: between student and professional dancers, classical Indian dance and contemporary dance, narrative and abstract forms, and context and style.
14 September 2016
Payal Ramchandani, an accomplished and elegant kuchipudi dancer from Newcastle, delighted the audience with some beautiful, well-executed kuchipudi on a hot Friday evening in London.
14 September 2016
The Bharatiya Vidya Bhavan’s summer school gave us a rare opportunity to watch an experienced and seasoned performer share the stage with an upcoming artist.
14 September 2016
Silent Space is presented as a series of extracts over thirty minutes that will eventually lead to a full show.
14 September 2016
The audience are guided gently through a loose migration tale via the lightly-dramatic narrative and three female solos in bharatanatyam, belly-dance and flamenco.
14 September 2016
